Jeanne TrembethRequiems in the 20th CenturyTransitioning from the sacred Roman Catholic Requiem Mass origins to 20th century sacred/secular compositionsMay 13, 2021May 13, 2021
Jeanne TrembethTHE FUTURE IS HERE!An Undergraduate Music History Class in the Year 2378 A.D.May 10, 2021May 10, 2021
Jeanne TrembethThe Reviews for the Premiere of Igor Stravinsky’s Rite of Spring —An Example of the Importance of Primary Sources… as well as their limitationsApr 30, 2021Apr 30, 2021
Jeanne TrembethPauline Oliveros and Milton Babbitt:Two Polar Opposites in 20th Century Music… or are they?Apr 2, 20211Apr 2, 20211
Jeanne TrembethThe REAL Skandalkonzert!March 31, 1913 — Arnold Schoenberg, Alban Berg and Anton WebernMar 11, 20211Mar 11, 20211
Jeanne TrembethRuth Crawford Seeger’s composition, “Rissolty Rossolty”: Ultramodernism mingles with American Folk…I know, I know, you’re first question is “Ruth… who??”Mar 5, 20211Mar 5, 20211
Jeanne TrembethCensorship in 20th Century M)usic: The Nazi Regime’s “Entartete Musik”“Neue Sachlichkeit” or “New Objectivity” — a new style of modernism (and hated by the Nazis)Feb 23, 20211Feb 23, 20211
Jeanne TrembethJosef Matthias Hauer , the first composer/creator of twelve tone music — share the spotlight…Giving credit where credit is due!Feb 9, 20211Feb 9, 20211
Jeanne TrembethA common thread affecting 20th century music and 21st century musicSome research ideas lead to other avenuesFeb 1, 20211Feb 1, 20211